Grand Piano
You Will Not Find Her at the Bottom of the River On Whose Shores Your Life Has Been Squandered, by David Hollander
Well then down you go. Spiraling into darkness with the regulator hissing and the funk of the Hudson clinging to your suit like rime, the spotlight held at arm’s length and advancing its bad joke into a slurry of black mud and pollution, the bubbles racing from your mouth toward a theoretical surface as you penetrate deeper into that living darkness which cinctures the earth and makes a mockery of your personal ephemera, of the husband you no longer recognize, of the advanced degrees that belie your fecklessness, of the psychotropic prescriptions that mediate your pain, of her empty crib with its bone-white spindles, of the lewd smile of the young man at the dive shop, of the dappled morning sunlight outside your bedroom window and the ferocious joy it has occasionally instilled, of your fear of spiders and your fear of bridges and your fear of stained glass cathedrals—the darkness making a mockery of love.
Your heart punching at the wetsuit as you sink to the bottom of this urban river on whose shores your life has been squandered, this river which preserves that original conundrum from which the entire cosmology was birthed in an unfathomable instant of fire, pushed from some icy womb of Nothingness so as to spread out virus-like and then die its slow death. The depth gauge glows green in the murk, fifty feet, then sixty and then yes, as promised, here is the oily bottom rising up to meet you and you lay your belly down in the earth’s black blood, indulging in the deep gulps of air you’ve been counseled against taking, your body hot and electric within the suit as if the neoprene enclosed only pulsing organs and circulatory twine. You peer out across the riverbottom and down a corridor of visibility above which the particulate matter hovers like smoke in a housefire, then you kick hard once and glide out above the planet’s bottom where creatures deformed by metropolitan poisons live out their sorry half-witted lives.
Beside by Nicole Haroutunian
Artist Statement
BESIDE is an edition of 2o. The images are printed with ink on a Gocco B6 press and the text is printed in Futura with East River water on a Chandler & Price Pilot Press. The envelope is handmade and soaked in East River water. Additional text and waves drawn in blue ink were later added to the prints and can be seen here.
When I began BESIDE, I hoped to print on handmade paper created from scraps scavenged from NYC’s riverbanks. But, after a month of walking up and down the Hudson, hopping fences to get close to the East River, I only had collected a scant bagful of scraps—not nearly enough for four prints in an edition of twenty. What better reason to have to reconceive the project, though—the riverbanks just aren’t that dirty anymore. Even when I decided to print using East River water instead, I was amazed that the water I collected, dipped off a rock in Williamsburg, had no discernable smell, no weird cast or color. So, rather than obscuring my images of objects—teredoes and gribbles, shopping carts and grand pianos, ice cream trucks and Formica dinettes, wharf rats and drowned giraffes—the text emphasizes their strange side-by-side presence in the city’s underwater landscape, making their identities all the more clear.
About the Artist
Nicole Haroutunian is an editor of Underwater New York. Her bio can be found here.
You Will Not Find Her at the Bottom of the River on Whose Shores Your Life Has Been Squandered by David Hollander
Well then down you go. Spiraling into darkness with the regulator hissing and the funk of the Hudson clinging to your suit like rime, the spotlight held at arm’s length and advancing its bad joke into a slurry of black mud and pollution, the bubbles racing from your mouth toward a theoretical surface as you penetrate deeper into that living darkness which cinctures the earth and makes a mockery of your personal ephemera, of the husband you no longer recognize, of the advanced degrees that belie your fecklessness, of the psychotropic prescriptions that mediate your pain, of her empty crib with its bone-white spindles, of the lewd smile of the young man at the dive shop, of the dappled morning sunlight outside your bedroom window and the ferocious joy it has occasionally instilled, of your fear of spiders and your fear of bridges and your fear of stained glass cathedrals—the darkness making a mockery of love.
Your heart punching at the wetsuit as you sink to the bottom of this urban river on whose shores your life has been squandered, this river which preserves that original conundrum from which the entire cosmology was birthed in an unfathomable instant of fire, pushed from some icy womb of Nothingness so as to spread out virus-like and then die its slow death. The depth gauge glows green in the murk, fifty feet, then sixty and then yes, as promised, here is the oily bottom rising up to meet you and you lay your belly down in the earth’s black blood, indulging in the deep gulps of air you’ve been counseled against taking, your body hot and electric within the suit as if the neoprene enclosed only pulsing organs and circulatory twine. You peer out across the riverbottom and down a corridor of visibility above which the particulate matter hovers like smoke in a housefire, then you kick hard once and glide out above the planet’s bottom where creatures deformed by metropolitan poisons live out their sorry half-witted lives.
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Objects
- 1600 bars of silver
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- Grand Piano
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- Stripped cars
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- Tea Pot
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Body of Water
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