Current

Water (Upper New York Bay) by Lee Arnold

Twenty polaroid images taken from Governors Island (26″x18″, 2010).

Artist Statement


Water (Upper New York Bay) consists of twenty polaroid images taken while I was in residence on Governors Island between August and December, 2010. During my time on the island I became fascinated by the changing currents and tides of the waterways surrounding New York City. I wondered how much the constantly shifting salinity levels of the water at the meeting place of the Atlantic and the Hudson affected the character, and more specifically the color, of the water. Inspired by Goethe’s scientifically incorrect exploration of the nature of light and color, this work is an attempt to capture what the water feels like. I was also interested in what was left out of the frame. There are no images of the major sights a few degrees away: the towering architecture of lower Manhattan; the Brooklyn, Manhattan, Williamsburg, Verazano and Goethals bridges; the Statue of Liberty; the shore lines of Brooklyn, Staten Island and New Jersey; and the constant boat traffic carried along by the currents.


About the Artist


Lee Arnold was born in London in 1972 and lives in Brooklyn. In his work he explores the nature of time and perception through drawing, photography, film, video, animation and sound. He has exhibited in the U.S. and abroad at such places as the DUMBO Art Center in Brooklyn, the Institute of Contemporary Art in Philadelphia, the Bridge Art Fair in Miami, SIGGRAPH in Los Angeles and the Berlinisch Galerie in Berlin. In 2010 he received fellowships from the MacDowell Colony and the Lower Manhattan Cultural Council. Visit his website at http://leearnold.net.

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8.30.9p by Roger Borg

8.30.09p by Roger Borg

8.30.09p

Artist Statement


Through observation and speculation I test the world and its workings.  What is of paramount interest to me is its nature at the most base level.  How circumstances arise.  How sequences form and events unfold.  How single narratives merge with others, giving rise to more complex interactions.  How information is transcribed within the fluid column of time.  How the present moment comes to be, and how it is continually steered into the next. At this boundary of present and future, possibility reigns supreme.  Infinity rules what may be.  Permutations abound.  But beyond this cusp emerges only a single lone instance of what is and what has become.  It is with deference to these thoughts, and within this context, that my work is born.


About the Artist


Information about Roger Borg can be found at rogerborg.com

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Wednesday, September 23rd, 2009 Artists, Body of Water, Current, Hudson River, Objects, Roger Borg No Comments

The New Main Stream by Nicole Haroutunian

An hour later, we’re no closer to the tunnel. In our rental car, we’re just two in a school of a thousand fish skimming the edge of the island. Go with the flow, we keep saying to each other. We’re just going with the flow.

Leaving the house, we were dressed in our baby-shower-best: Bellie in white, sweet and wholesome, me in blue, calm as the ocean. But now, lurching stop-start-stop, Bellie’s emitting high-pitched groans, hands cupping her big, round stomach—“I’m a beached whale,” she moans—and I’m thrashing around, fanning at my armpits, flapping my elbows like fins, sweat carving rivers through the city-silt settling on my skin.

We eek forward a half-block then come to a halt. Bellie cracks a can of lemon-lime soda, takes a sip and passes it to me. I dribble it down the length of my arm; it’s warm enough not to feel good at all. I blot the spots with an old tissue and bits of fluff stick to my flesh. “You really want to introduce me as the mother of your child?” I ask.

“Everyone at the shower knows you plenty well,” she says. “You need no introduction.”

Bellie and I have been roommates going on fifteen years. We get along better with each other than with anyone else; people have always made the mistake that we’re a couple and this whole baby thing won’t help matters. The truth, though, is that we both like men—we like to sleep with them, I mean. In fact, that’s where the whole baby thing came from—no funny business, just an old-fashioned slip-up with Bellie and this guy she used to bring by.

What made this time different from the one or two others, when it was either Bellie or me in a bit of a snafu, was the fact that we’re getting older—old enough that the thought of keeping the baby actually stuck and started growing like the little embryo itself, getting more complicated by the day.

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