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Phillip Lopate describes the shape of Manhattan Island as‘a luxury liner, permanently docked, going nowhere’. This feeling of being tethered to the land, unable to get to sea, was a feature of New York life for much of the twentieth century. New York was an island without a coast. The West Side piers that once welcomed the Lusitania spent most of the twentieth century crumbling or behind barbed wire, while the East Side’s coves and points were cut off from pedestrians by six lanes of the Robert Moses-designed Franklin Delano Roosevelt Drive. It wasn’t much easier to reach the shores of Brooklyn, Queens or the Bronx, either: with a few exceptions, they were largely reserved for municipal or industrial use, and easiest to see from the Staten Island Ferry (en route to the borough with the most beaches). Now, slowly, the city is reclaiming its shoreline, with some spectacular results.

Horse Seance by Meredith Drum

For all the ghost horses haunting Dead Horse Bay, this was made for an Underwater New York event as part of Marie Lorenz's Flow Pool at Recess Art in SoHo, April 21, 2016.

OBJECT: Horse Bones

BODY OF WATER: Dead Horse Bay

Follow the link to see images of Horse Seance floating in the Flow Pool. 


 

 

Meredith Drum’s most recent project is the Fish Stories Community Cookbook: a collection of seafood recipes, local histories, stories, drawings and ecological information contributed by people who live and work in the Lower East Side of New York City. The book was compiled and produced by the Oyster City Project (Rachel Stevens and Meredith Drum) for Paths to Pier 42 and distributed at the Paths to Pier 42 Fall 2015 Celebration in East River Park.