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Phillip Lopate describes the shape of Manhattan Island as‘a luxury liner, permanently docked, going nowhere’. This feeling of being tethered to the land, unable to get to sea, was a feature of New York life for much of the twentieth century. New York was an island without a coast. The West Side piers that once welcomed the Lusitania spent most of the twentieth century crumbling or behind barbed wire, while the East Side’s coves and points were cut off from pedestrians by six lanes of the Robert Moses-designed Franklin Delano Roosevelt Drive. It wasn’t much easier to reach the shores of Brooklyn, Queens or the Bronx, either: with a few exceptions, they were largely reserved for municipal or industrial use, and easiest to see from the Staten Island Ferry (en route to the borough with the most beaches). Now, slowly, the city is reclaiming its shoreline, with some spectacular results.

Nest by Melissa Murray

This painting was a part of the AIR Gallery summer exhibition, "If These Walls..." on Governor's Island. AIR Gallery and UNY initiated a collaboration where three writers created poems based on a water-inspired work from the exhibition. Poet Hossannah Asuncion worked from Melissa Murray's "Nest"--you can read her poem here


OBJECTS: Silverware, Broken China

BODY OF WATER: Dead Horse Bay



Melissa Murray lives and works in Bushwick, Brooklyn. Her works are large scale mixed medium on paper, with concepts focused on the combining of multiple environments in one still image. Selected group exhibitions at the MOSI Museum in Tampa, Florida, the Target Gallery in Alexandria, VA, Chashama in New York, NY and Causey Contemporary, and 3rd Ward in Brooklyn, NY. Solo exhibitions at Fuse Gallery, AdHoc Art and Causey Contemporary and Gallery SAS in Montreal. Her work has been published and or reviewed in The Wild Magazine,  L magazine, The Village Voice, The Montreal Gazette, Juxtapoz Magazine, Beautiful Decay Magazine, Muse Magazine, Big, Red and Shiny and the NY Arts Magazine.