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Phillip Lopate describes the shape of Manhattan Island as‘a luxury liner, permanently docked, going nowhere’. This feeling of being tethered to the land, unable to get to sea, was a feature of New York life for much of the twentieth century. New York was an island without a coast. The West Side piers that once welcomed the Lusitania spent most of the twentieth century crumbling or behind barbed wire, while the East Side’s coves and points were cut off from pedestrians by six lanes of the Robert Moses-designed Franklin Delano Roosevelt Drive. It wasn’t much easier to reach the shores of Brooklyn, Queens or the Bronx, either: with a few exceptions, they were largely reserved for municipal or industrial use, and easiest to see from the Staten Island Ferry (en route to the borough with the most beaches). Now, slowly, the city is reclaiming its shoreline, with some spectacular results.

Horse Bone Bluffs by Nicole Antebi

Editors' note: Nicole Antebi will screen an original animation entitled "Riparianism" at UNY's 5th Anniversary Celebration and Benefit. Join us on October 15th - tickets and more info here.     

I've been collecting horse bones at Dead Horse Bay for several months now, re-imagining the edges as Southern California cliffs holding up Mid-Century modernist houses. 


Nicole Antebi considers herself a student of animistic thinking and landscape. She works in non-fiction animation, motion graphics, installation while simultaneously connecting and creating opportunities for other artists through larger curatorial and editorial projects such as Water, CA and The Winter Shack.  Her work has been shown in many places including High Desert Test Sites, The Manhattan Bridge Anchorage, Teeny Cine’s converted trailer, Portable Forest, a Texas Grain Silo and in the cabin of a capsized ship at Machine Project, Los Angeles.